Bridgerton came to life in Grand Bahama this past Sunday. The High Tea Society, a themed fundraiser for the Grand Bahama Children’s Home, saw over 100 guests dressed in elegant Regency-era attire, all gathering to raise money and awareness for the home that supports some of the island’s most vulnerable children.

Hosted in the private garden of Sarah St. George, the afternoon was packed with dainty treats, flowing champagne, and plenty of pastel dresses and feathered hats. The Bridgerton theme added a playful twist to the event, turning a simple tea party into a unique experience.

“This is one of our most loved fundraisers,” said Fatima-Zahra Kaboub, chair of the home’s fundraising committee. “It’s beautiful, it’s fun, and more importantly, 100% of the money raised goes straight to the Children’s Home.”

The event raised more than $10,000 with every ticket sold directly supporting the home’s day-to-day operations, from food and clothing to educational resources and care. A private donor also gave an additional $2,500 gift on the day.

Thanks to sponsors like the Grand Bahama Port Authority, B&B Galaxy, and Sands Brewery, the event costs were completely covered, making it possible for all donations to go where they matter most.

June Hutcheson, Executive Director of the Grand Bahama Children’s Home, emphasized the importance of community support: “It shows our kids that people care about them. That alone means the world to us.”

With charm, creativity, and community spirit, the High Tea Society continues to blend entertainment with purpose and serves as a reminder that a little imagination can go a long way in making a difference.

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One of the taglines for this movie: Be Careful Who You Assemble. A group of misfit anti-heroes are brought together under false pretenses and must band together for their combined survival. As they go on a mission to stop the person who ensnared them in the deathtrap, they are forced to confront the darkest corners of their past to save the civilian population around them.

Thunderbolts* is a movie that is deeper than it may appear, just like the characters we follow in it with a message about mental health that is timely in its presentation. Jake Schreier directs this Marvel property with an energetic pace that is able to balance the humor with the action while blending in heavy emotional beats. Eric Pearson and Joanna Calo's screenplay based on the story by Pearson has a feel that fits the tone of the current phase of the Marvel Cinematic Universe as it explores themes of depression and loneliness in a superhero framework. Florence Pugh and Lewis Pullman are able to show layers of emotions within their performances that helps the audience to sympathize with the particular situation they find themselves in at different points of the movie. The way this incarnation of the team comes together is different from the source material but the heart on display is undeniable with a payoff that is earned. This theatrical installment to the MCU is a solid entry that presents a standard of entertainment in this genre reminiscent of the team up films from earlier phases. I rate this movie a rating of 4 out of 5.

P.S.
In a mid-credit scene we see the public's reaction to the group being titled The New Avengers through different news articles and magazine covers. Alexei tries to convince a shopper in a supermarket to buy the Wheaties cereal that his picture is featured on.

P.P.S.
In a post-credits the group argues about the mantle they have been burdened while discussing them being sued for using it by Sam Wilson Captain America, when a distress signal is received from an interdimensional spacecraft belonging to The Fantastic Four.

Rated 4 out of 5

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Last week I shared something super exciting and just had to remind you — Tasty with KC is hosting its very first event of the year: The Summer Blooms Tea Party!

It’s all happening Monday, June 9th at Lignum Vitae Market & Cafe, in collaboration with my faves @LignumVitae and @DecorDreams242.

Think tropical vibes, lush décor, tasty bites, and tea with a twist. If you’re into food, fashion, or just vibing with your people, this one’s for you.

More updates coming soon, but for now… save the date and follow us for sneak peeks!

Let’s sip, bloom, and celebrate summer in style

New Vitamalt Vanilla Flavor Launched

Commonwealth Brewery Limited (CBL) has officially launched Vitamalt Vanilla, a no-added-sugar malt beverage, exclusively in The Bahamas. Inspired by the Bahamian tradition of mixing malt with cream, Vitamalt Vanilla features a smooth, creamy texture and rich vanilla notes. This launch marks a global first, positioning The Bahamas as the birthplace of a healthier Vitamalt evolution. With 72% less sugar than traditional offerings, the new flavor caters to wellness-focused consumers without compromising on taste.

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Are foreign artists really the enemy?

Our local talents deserve the spotlight, especially during moments that celebrate our identity. But while the debate rages on about who should or shouldn’t perform, a more important question remains: what are we doing to truly elevate Bahamian artists?

You can’t force people to love local music, but you can make it impossible to ignore. That starts with visibility. More consistent local shows, open mic nights, and live performances in high-traffic tourist areas could give Bahamian musicians the exposure they deserve. When visitors step off the boat, they should be greeted with our sound—live, vibrant, and rooted in the culture. That kind of experience stays with them long after they’ve left the islands.

Beyond performances, there’s room for real development. Artist workshops, songwriting camps, and performance training could help upcoming talent sharpen their craft and find their voice. Established musicians mentoring the next generation could create a cycle of growth that benefits the entire industry.

There’s no question that foreign artists often come with strong backing and structure—but foreign artists aren't the problem; the lack of platforms, investment, and visibility for Bahamian artists is. If our artists had consistent opportunities, training, and stages, the presence of international acts wouldn’t feel like a threat. Instead of just defending our cultural space, let’s also define it. Let’s invest in platforms that showcase Bahamian excellence, so our artists don’t have to compete for scraps but command their own stages.

Protecting the culture isn’t just about who gets booked. It’s about pushing the culture forward, making sure Bahamian music is heard, respected, and celebrated not just here at home, but everywhere.